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	<title>phaedrabrown</title>
	<link>https://phaedrabrown.com.au</link>
	<description>phaedrabrown</description>
	<pubDate>Sat, 05 Feb 2022 02:25:41 +0000</pubDate>
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	<item>
		<title>Overview</title>
				
		<link>https://phaedrabrown.com.au/Overview</link>

		<pubDate>Wed, 10 Nov 2021 03:07:03 +0000</pubDate>

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	&#60;img width="1086" height="724" width_o="1086" height_o="724" data-src="https://freight.cargo.site/t/original/i/2314961e51abc2171def82381d62f868214314cf4bde2dfed662ea2e7eced827/56D3E4C5-1698-4C5A-A779-4AAD42133062_1_105_c.jpeg" data-mid="160190944" border="0"  src="https://freight.cargo.site/w/1000/i/2314961e51abc2171def82381d62f868214314cf4bde2dfed662ea2e7eced827/56D3E4C5-1698-4C5A-A779-4AAD42133062_1_105_c.jpeg" /&#62;

	ABOUT

Phaedra Brown is an independent dancer, choreographer, and
producer. Her current practice draws on a collage of elements from movement,
choreography, writing, and curation.

Read more
	







	

&#60;img width="1086" height="724" width_o="1086" height_o="724" data-src="https://freight.cargo.site/t/original/i/2ef17e2468c57bb3d74e67e88261542a13ec37deaf3e5c0a7171b1c73a3bd65c/1F5569B3-FB5C-41C5-B108-1C4485B5093E_1_105_c.jpeg" data-mid="196330543" border="0"  src="https://freight.cargo.site/w/1000/i/2ef17e2468c57bb3d74e67e88261542a13ec37deaf3e5c0a7171b1c73a3bd65c/1F5569B3-FB5C-41C5-B108-1C4485B5093E_1_105_c.jpeg" /&#62;


	REMNANTS RE-MADE
The‘Remnants Re-made’project looks at the relationship between speaking, writing, and dancing and the accumulation and decay of communication through these modes.&#38;nbsp;

Read more



	
2023









	&#60;img width="1236" height="882" width_o="1236" height_o="882" data-src="https://freight.cargo.site/t/original/i/8349fcbfdcbaeef153ad5dbe4204d58f2b171b554b9e26d8f35f5a10a180751c/Waiting-Game--Phaedra-Brown--image--Sandra-Therese.png" data-mid="125262031" border="0"  src="https://freight.cargo.site/w/1000/i/8349fcbfdcbaeef153ad5dbe4204d58f2b171b554b9e26d8f35f5a10a180751c/Waiting-Game--Phaedra-Brown--image--Sandra-Therese.png" /&#62;

	WAITING GAME Contemporary dance duet 'Waiting Game' speaks to the joy, humour and tragedy in our cyclical lives. A dance against dissolusionment...
Read more
Watch an excerpt
	2022







	
&#60;img width="1430" height="828" width_o="1430" height_o="828" data-src="https://freight.cargo.site/t/original/i/2cc3d112909ae017e30ff0c5f2f76725daed7dee96fb9441a942b8816a13dac5/image3.jpeg" data-mid="124415011" border="0"  src="https://freight.cargo.site/w/1000/i/2cc3d112909ae017e30ff0c5f2f76725daed7dee96fb9441a942b8816a13dac5/image3.jpeg" /&#62;

	A SMALL SPECTACLE
Small Spectacle is my solo show, created and performed in a small inner-city share house...Read more
Watch here


	2020, 2021






	
&#60;img width="1469" height="828" width_o="1469" height_o="828" data-src="https://freight.cargo.site/t/original/i/9ceac060d6bcd9ed290e95658024182e8ca734f66fe069838923dcabb76d3d56/image0.jpeg" data-mid="124415088" border="0"  src="https://freight.cargo.site/w/1000/i/9ceac060d6bcd9ed290e95658024182e8ca734f66fe069838923dcabb76d3d56/image0.jpeg" /&#62;

	MAKING A SPECTACLE
The culmination of my honours research, a companion paper to the work ‘A Small Spectacle’...Read more



	2020









	
&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/f7f4e026d378593b4904c3c4a4d8172f629be31b7c574d0e10d912ef0ede92ae/Screen-Shot-2021-11-13-at-5.27.31-pm.png" data-mid="124415252" border="0"  src="https://freight.cargo.site/w/1000/i/f7f4e026d378593b4904c3c4a4d8172f629be31b7c574d0e10d912ef0ede92ae/Screen-Shot-2021-11-13-at-5.27.31-pm.png" /&#62;

	SUBSTANCE &#38;amp; SUSTENANCEThe
thing you crave but can’t reach. The texture you can’t feel. The food you can’t
eat. The joke you’re not let in on. The dance you don’t know.
Read more
Watch here
	

2019









	&#60;img width="1086" height="723" width_o="1086" height_o="723" data-src="https://freight.cargo.site/t/original/i/69b0f58d719a7f50b41809fd67f2b977543cfc0b14cc2df4ab40ee191474130e/75E1D845-1C0B-4C71-822D-50D4E0A2BB35_1_105_c.jpeg" data-mid="124415052" border="0"  src="https://freight.cargo.site/w/1000/i/69b0f58d719a7f50b41809fd67f2b977543cfc0b14cc2df4ab40ee191474130e/75E1D845-1C0B-4C71-822D-50D4E0A2BB35_1_105_c.jpeg" /&#62;
	ANIMINIMALIS
Peer in on fantastical beasts as they go about their business. You’re watching them and they’re watching you... Read more
Watch here
	
	&#38;nbsp;2018






	

	
	







	
	
	
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	<item>
		<title>Whats on</title>
				
		<link>https://phaedrabrown.com.au/Whats-on</link>

		<pubDate>Wed, 10 Nov 2021 03:07:02 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

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	&#38;lt;- Home

	2022

‼️ Stay tuned...









</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://phaedrabrown.com.au/About</link>

		<pubDate>Fri, 12 Nov 2021 05:55:08 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

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		<description>&#38;lt;- Home


	01 ABOUT

	




	
	NAME: &#38;nbsp; Phaedra BrownAGE:&#38;nbsp; &#38;nbsp; 26
LOVES:&#38;nbsp; Cats, choccy, long walks on the beach
ME DANCING RECENTLY


	



























































Phaedra Brown is an emerging independent dancer, choreographer, and producer.
 











Her current interest lies in the use of dance as a tool for story-telling and sharing universal aspects of humanity, exploring this through theatricality and gesture, as well as drawing on elements from media and literature. &#38;nbsp;




 Phaedra holds a BFA (Dance) with First Class Honours from the VCA (2020) and a Graduate Diploma in Cultural Leadership from UNSW (2023). 


Phaedra recently choreographed and performed in the work ‘Waiting Game’, supported by March Dance and Melbourne Fringe Festivals in 2022. She also created and performed ‘A Small Spectacle’, presented via livestream at Melbourne Fringe 2020 and March Dance Festival 2021. She is a two-time recipient of AusDance NSW’s DAIR residency (2019, 2023), and has undertaken residencies supported by Readymade Works and March Dance Festival, and Lucy Guerin Inc (2023). Phaedra is a current member of Dance Maker’s Collective’s ‘Future Makers’ cohort. 


Phaedra’s other performance highlights include Dance Maker’s Collective’s ‘Big Dance (2023), Future Makers ‘Makers Season’(2023), Interchange Dance Project’s ‘Train Escape’ (2021,2022), Andrew Fraser’s ‘Everything is Everything’ (2020), Stephanie Lake’s ‘Colossus’ (2018, 2019), Thalia Livingstone’s ‘Dark Points’ (2019), and the National Gallery of Victoria’s reconstruction of ‘Demon Machine’ (2017).


In 2019 she produced VCA student choreography season, ‘Student Works’, and in 2022 produced The House That Dan Built’s ‘Whispers and Roars’ Festival of emerging female artists. 







  











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Phaedra Brown in performance of ‘Dark Points’ by Die Angle, photos by Benjamin Bravo</description>
		
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		<title>Waiting Game</title>
				
		<link>https://phaedrabrown.com.au/Waiting-Game</link>

		<pubDate>Sat, 13 Nov 2021 06:34:08 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

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		<description>&#38;lt;- Home


	02 Waiting Game
	2022


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Phaedra Brown and Sarah Saxon, Melbourne season of Waiting Game Photos by Lachlan Wolters

	‼️ READ PREVIEW ARTICLE HERE

‼️ WATCH AN EXCERPT FROM THE SYDNEY SEASON&#38;nbsp;HERE
‼️ WATCH AN EXCERPT FROM THE MELBOURNE SEASON HERE‼️ READ MORE ABOUT THE ARTISTS HERE
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	Resilience and gentle hope – that which is
cultivated everyday through small acts of
humanity.

						
Waiting Game speaks to the joy, humour and
tragedy within the minutiae of everyday life. It
is simultaneously relentless and expectant;
desolate yet dependent upon camaraderie and
togetherness. The work embraces the need for
connection in a world that seems so illogical.

						
It reflects experiences of anticipation,
repetition and monotony that might transform
ultimately into disillusionment. However, by
reimagining these feelings, now familiar from
long periods of isolation, Waiting Game aims to
shift into spaciousness, clarity, and
conversation. Join us as we dance away our
disillusionment, and the joy of movement becomes
a tool for resistance.

						
Waiting Game was created in
collaboration with original cast member Tamara Bouman, who is now acting as artistic consultant. The work’s most recent Melbourne season was performed by Sarah Saxon alongside Phaedra Brown.&#38;nbsp;
The work features music &#38;amp; soundscape by composer Oscar Sweeney and lighting design by Lacklan Wolters

					
				
			
		
	





“Absolutely love the connection between the dancers and the enchanting soundscape.” – March Dance Festival 


“Emerging dancer-choreographer Brown is no longer waiting in lockdown or elsewhere. She is here, and we can’t wait to be there with her, too.” – Kate Maguire-Rosier, Dance Informa
︎&#38;nbsp;This work was presented as part of March Dance Festival 2022, supported by March Dance Festival and the City of Sydney. ︎
It was also presented as part of Melbourne Fringe Festival supported by Maribyrnong City Council.








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		<title>Waiting Game artists</title>
				
		<link>https://phaedrabrown.com.au/Waiting-Game-artists</link>

		<pubDate>Sat, 05 Feb 2022 02:25:41 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

		<guid isPermaLink="true">https://phaedrabrown.com.au/Waiting-Game-artists</guid>

		<description>&#38;lt;- Back


	02 WAITING GAME ARTISTS
	2022



	&#60;img width="782" height="1106" width_o="782" height_o="1106" data-src="https://freight.cargo.site/t/original/i/70a93161a5c73c4324a13a5d2069a82d59035929d5f26b33e1d8013ec302aee2/Screen-Shot-2021-11-16-at-9.05.26-pm.png" data-mid="132591724" border="0" data-icon-mode src="https://freight.cargo.site/w/782/i/70a93161a5c73c4324a13a5d2069a82d59035929d5f26b33e1d8013ec302aee2/Screen-Shot-2021-11-16-at-9.05.26-pm.png" /&#62;Phaedra Brown︎ Sandra Theresa

&#60;img width="480" height="600" width_o="480" height_o="600" data-src="https://freight.cargo.site/t/original/i/418845d09770ceb431cf9a39002612ff9d69c4d948f54a13604498add753ee83/D41FEFC7-071A-4815-8DD8-E7BF035E833E.jpeg" data-mid="151790638" border="0" data-icon-mode src="https://freight.cargo.site/w/480/i/418845d09770ceb431cf9a39002612ff9d69c4d948f54a13604498add753ee83/D41FEFC7-071A-4815-8DD8-E7BF035E833E.jpeg" /&#62;
Sarah Saxon
︎ Hamish McIntosh


&#60;img width="554" height="692" width_o="554" height_o="692" data-src="https://freight.cargo.site/t/original/i/4a5d13414aeaef56834e260a15ef094195b7fdd9d333b185c4bf98d060e1974d/DD58DAD5-995A-4D07-B851-B2B5A2608A32_1_201_a.jpeg" data-mid="132531662" border="0" data-icon-mode src="https://freight.cargo.site/w/554/i/4a5d13414aeaef56834e260a15ef094195b7fdd9d333b185c4bf98d060e1974d/DD58DAD5-995A-4D07-B851-B2B5A2608A32_1_201_a.jpeg" /&#62;
Oscar Sweeney︎Jessica Higgins




&#60;img width="1064" height="1532" width_o="1064" height_o="1532" data-src="https://freight.cargo.site/t/original/i/1d9d9806e0afaa0001a8df12bb9dde3771b4e2b886e58902ddf1a17bb2c9b953/DFD96D47-4F48-497F-A211-AA2BF337B372.png" data-mid="151790994" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/1d9d9806e0afaa0001a8df12bb9dde3771b4e2b886e58902ddf1a17bb2c9b953/DFD96D47-4F48-497F-A211-AA2BF337B372.png" /&#62;
Lachlan Wolters︎ Anna Cordingley 










&#60;img width="793" height="991" width_o="793" height_o="991" data-src="https://freight.cargo.site/t/original/i/40bd246385f6acde9d1ba7babb569bd1c96dd065403f507628c360a74dd35a4d/1E13ED00-7B9D-4D41-9B0C-6340CBC463B0_1_105_c.jpeg" data-mid="132531671" border="0" data-icon-mode src="https://freight.cargo.site/w/793/i/40bd246385f6acde9d1ba7babb569bd1c96dd065403f507628c360a74dd35a4d/1E13ED00-7B9D-4D41-9B0C-6340CBC463B0_1_105_c.jpeg" /&#62;
Tamara Bouman
︎ Hamish McIntosh


	
Phaedra Brown: Choreographer/ Dancer

Phaedra Brown is a Greek/Australian independent dancer, choreographer and producer from Sydney. She works with improvisation, site-specific dance, film and digital technology. Her practice draws on a collage of elements from choreography, curating and public art.


Phaedra is undertaking a Masters in Curating and Cultural Leadership at UNSW, and has completed a BFA (Dance) with Honours from the VCA and a Certificate IV in dance from Ev &#38;amp; Bow Dance Training Centre. While at the VCA she received the prestigious Dr Phillip Law Travel award (2019).


Phaedra’s performance highlights include Interchange Dance Project’s ‘Train Escape’ (2021,2022), Andrew Fraser and Victoria Punturere’s ‘Everything is Everything’ (2019), Stephanie Lake’s ‘Colossus’ (2018, 2019), Thalia Livingstone’s ‘Dark Points’ (2019), the National Gallery of Victoria’s ‘Triennial Extra’ Programme (2018) and the National Gallery of Victoria’s reconstruction of ‘Demon Machine’ (2017).


Phaedra’s choreographic work ‘Waiting Game’ premiered to a sold-out season as part of March Dance Festival 2022 and is due to be presented as part of Melbourne Fringe in October 2022, supported by Maribyrnong City Council. Her work ‘A Small Spectacle’, appeared via livestream at the 2020 Melbourne Fringe Festival and the 2021 March Dance Festival in Sydney. Her 2018 work ‘Animinimalis’ was performed at Melbourne Fringe Festival before being re-worked to appear at the Guild Theatre Fringe Festival Hub in 2019 and leading to an AusDance NSW DAIR residency in 2019.


In 2019 she co-produced VCA student choreography season, ‘Student Works’ alongside Sarah Saxon, and in 2022 produced The House That Dan Built’s ‘Whispers and Roars’ Festival.




Sarah Saxon: Dancer

Sarah Saxon is
a dancer, choreographer and dance-filmmaker based in Naarm/
Melbourne. She graduated from the Victorian College of the Arts, University of
Melbourne in 2020 with a Bachelor of Fine Arts (Dance) and completed her BFA
(Honours) in 2021. She has created a site-conditioned dance practice, HikeDance,
inspired by her research into the reciprocity between nature and people. She
has released an online gallery to present five screen dances, Inhabitance I-V,
produced from this research. 



Saxon presented has
created a number of choreographic works including the Inhabitance I-V series,Inhabitance VI (Out of Bounds, Lucy Guerin Inc. &#38;amp; Temperance Hall,
2022), Tomatoes &#38;amp; Oranges (2020), and Reflective State(2019). In 2020 she co-produced Student Works 2020 and Grad Festat the Victorian College of the Arts.



She has seconded with
the Liz Roche Company (Ireland) for Yes and Yes (2022) and with Prue
Lang (Melbourne) Project F (2019-2020). As a performer she has worked with Linda
Sastradipradja (Melbourne Soereng - 2021, Sight Unseen - 2020), Anouk
van Dijk (Surge - 2020), Prue Lang (MTAFU - 2019), Caroline Ellis(Social Bodies - 2019), Alexandra Dobson (Calving Face - 2019), Brianna
Kell (The Wave Beneath Us - 2019) and Rebecca Jensen (Blue Illusion
- 2018).&#38;nbsp; She has completed a One Body
One Career Countertechnique intensive with Anouk van Dijk (Amsterdam, 2022) and
attended workshops at Centre National de la Danse in Paris in 2022 (Matija
Ferlin) and 2019 (Johanne Saunier) and at the Dublin Dance Festival with
Jonathan Burrows and Jessica Traynor (2022).



She is a recipient of
the Dr Philip Law Travel Scholarship (2020), the Grace Marion Wilson Trust Scholarship
(2020) and the Melbourne Global Scholars Award (2019).



 





Oscar Sweeney: Composer

Oscar is a music
composer of film and media, with a background in both digital and acoustic
writing. Completing his Bachelor of Music: Composition from the Sydney
Conservatorium in 2019, Oscar’s current practice is spent between writing
popular music, chamber works and most prominently film and media scoring.
During his studies, Oscar was under the tutelage of composers Michael Smetanin
and Paul Stanhope, and his composition for brass quartet, Bragi’s Lament, was
performed as part of a festival at the Verona Conservatorio in 2017. 



Oscar has composed for many short
film and animation projects working with various directors and producers,
across all genres and styles. He has collaborated on projects from directors at
The University of Sydney, UNSW, UTS and AFTRS. In 2018, Oscar worked with
director Guy Mansfield, on his short film ‘Swan Song’. He has also worked on
theatre productions, notably as composer and musical director of the 2018
Sydney University Commerce Revue. In mid 2020, Oscar worked in collaboration
with Moorambilla Voices on their Module series, creating accompanying music for
Courtney Scheu’s yoga series and indigenous artist Frank Wright’s painting
series. 



Oscar is also a vocalist and
chorist. His performance highlights include singing with the State Music Choir
for His Majesty King Harold V of Norway in 2015, as a vocal soloist at the
Carols on Norton alongside the Leichhardt Espresso Chorus in 2016, and
performing in the Sydney Philharmonia with Nick Cave and Warren Ellis at their
film scores concert at the Sydney Opera House in 2019.






















Lachlan Wolters: Lighting Designer

From an
early age, Lachlan has been building, jumping and throwing light on any ‘Stage’
he stumbled upon. Now Lachlan is an independent lighting and 3D designer based
in Melbourne. 



Lachlan holds a Bachelor of Fine Arts form the Victorian College
of the Arts, specialising in Production design and Management. Prior to his
studies he assisted, worked for and performed in many various community and
local performing arts groups; including the Young Australian Broadway Chorus,
and many others across Canberra and Melbourne.
 Since then, Lachlan has lit and
designed projected visuals for a variety of dance and contemporary theatre
productions. These include lighting design for ‘Seeing Red’ (2019) by Ashleigh
Dougan, presented at Melbourne Fringe Festival and&#38;nbsp; ‘My Fretty Friend’(2020) by Babble
Productions; and vision design for ‘Earthquakes in London’ (2020)
directed by Sarah Goodes.




Tamara Bouman: Artistic Consultant/ original cast member

Tamara Bouman has
been performing as a professional dance artist since 2018. She has
Birrpai/Yolngu and European roots and is passionate about cross-cultural and
cross-disciplinary collaboration. 



Past performances
include Stephanie Lake’s Colossus (2018, 2019, 2020), Sarah
Aiken and Rebecca Jensen’s What Am I Supposed To Do? (WAISTD) (2019),Dream Cellscapes with Alice Weber (2021) Rebecca Jensen’s Sinkhole
X (2022), Alisdair Macindoe’s A.I.D pop-up performance (2022)
and Ngioka Bunda- Heath’s Bridge (2022). Tamara has been
also fortunate enough to work with artists Cloé Fournier, Phaedra
Brown, Matt Cornell, Wendy Yu, Emily Flannery, and Daniel
Riley on a wide range of creative developments. She was a member of the
2021 Leg Up Program with Legs on the Wall. She is a current member of Sydney
Dance Company. 



Tamara
choreographic work includes her 2021 work What Do I Do Today, a
solo commissioned by Dance Maker’s Collective for their ‘Home Bodies’ series. 








 














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	<item>
		<title>A Small Spectacle</title>
				
		<link>https://phaedrabrown.com.au/A-Small-Spectacle</link>

		<pubDate>Fri, 12 Nov 2021 06:12:56 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

		<guid isPermaLink="true">https://phaedrabrown.com.au/A-Small-Spectacle</guid>

		<description>&#38;lt;- Home


	03 A SMALL SPECTACLE
	2020,2021



&#60;img width="2492" height="1417" width_o="2492" height_o="1417" data-src="https://freight.cargo.site/t/original/i/1b13ec7ab48bff806575ff05d6d5ec848f9b8cea24018bf6d9d2ed5425fb01ad/A-Small-Spectacle----Phaedra-Brown.JPG" data-mid="124483822" border="0"  src="https://freight.cargo.site/w/1000/i/1b13ec7ab48bff806575ff05d6d5ec848f9b8cea24018bf6d9d2ed5425fb01ad/A-Small-Spectacle----Phaedra-Brown.JPG" /&#62;
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&#60;img width="1430" height="828" width_o="1430" height_o="828" data-src="https://freight.cargo.site/t/original/i/c8a2eadd92fb418067adaee839380b07939eed7115490ce06063f88fac8c7d8b/image3.jpeg" data-mid="124483823" border="0"  src="https://freight.cargo.site/w/1000/i/c8a2eadd92fb418067adaee839380b07939eed7115490ce06063f88fac8c7d8b/image3.jpeg" /&#62;
Phaedra Brown in performance of ‘A Small Spectacle’ 
	

‼️ WATCH HERE

&#60;img width="2198" height="1362" width_o="2198" height_o="1362" data-src="https://freight.cargo.site/t/original/i/8215f226e1a39a6ebddfda2c2e5c8376a8fa5dec7780e80e37c8602fe6bdce63/Screen-Shot-2022-11-26-at-4.02.47-pm.png" data-mid="160189985" border="0"  src="https://freight.cargo.site/w/1000/i/8215f226e1a39a6ebddfda2c2e5c8376a8fa5dec7780e80e37c8602fe6bdce63/Screen-Shot-2022-11-26-at-4.02.47-pm.png" /&#62;

	




















A Small Spectacle is a solo show, created and performed by Phaedra Brown in a small inner-city share house.An eclectic mix of dance, architecture, costume and sound, the work attempts to convey the idea that a spectacle is as much created in its re-telling and re-imagining than in the event itself. A Small Spectace re-purposes text and sculpture and appropriates video-call and social media formats. The costumes have been repurposed from what was already in the house, and the house itself has been repurposed as stage and set.This work also explores the self-spectacularisation that comes with shaping oneself within a frame. Particularly in reference to the hyper-curation of self, seen in social media, the screen becomes the tight frame through which some things are accentuated while others are hidden. The frame of the house also plays a role in curating the way the body is perceived; the architecture and its connotations as a domestic space can constrict movement but also offer up a space to be reclaimed.Finally, A Small Spectacle is an ode to the common experience of lockdown and mundane days in isolation. The willingness of humans to imagine, create and share, even while facing collective upheaval, has been, and continues to be, spectacular.
 This show was presented as a live streamed, digital show at Melbourne Fringe Festival 2020 and March Dance Festival 2021.
"Concentrated, intimate and revealing.” – Lynne Lancaster, Dance Informa


Choreographed and performed by Phaedra Brown
On trumpet &#38;amp; tech help: Aidan Bondfield
On guitar &#38;amp; speedy composition: Gabriel Sinclair
Voiceover: Paul Brown (my dad)









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		<title>Making A Spectacle</title>
				
		<link>https://phaedrabrown.com.au/Making-A-Spectacle</link>

		<pubDate>Fri, 12 Nov 2021 06:13:26 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

		<guid isPermaLink="true">https://phaedrabrown.com.au/Making-A-Spectacle</guid>

		<description>&#38;lt;- Home


	04 MAKING A SPECTACLE

	2020


&#60;img width="1469" height="828" width_o="1469" height_o="828" data-src="https://freight.cargo.site/t/original/i/4c5813f38ea6bdce5f5a180a28ec147bc129b3bad40b0ae583b4ce3ac6471cb9/image0.jpeg" data-mid="124484048" border="0"  src="https://freight.cargo.site/w/1000/i/4c5813f38ea6bdce5f5a180a28ec147bc129b3bad40b0ae583b4ce3ac6471cb9/image0.jpeg" /&#62;
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Phaedra Brown in rehearsal for ‘A Small Spectacle’


	
	‼️&#38;nbsp;READ HERE



	


















The culmination of my honours research, a companion paper to the work ‘A Small Spectacle’.&#38;nbsp;






The paper discusses the way the project as a whole was informed by the notion of being spectacular. I accumulate definitions of spectacle, informed by history and by the creation of A Small Spectacle. I also discuss the way spectacle is perceived and curated by the viewer, the performer, and in the broader digital world.




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		<title>Substance &#38; Sustenance</title>
				
		<link>https://phaedrabrown.com.au/Substance-Sustenance</link>

		<pubDate>Fri, 12 Nov 2021 06:13:41 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

		<guid isPermaLink="true">https://phaedrabrown.com.au/Substance-Sustenance</guid>

		<description>&#38;lt;- Home


	05 SUBSTANCE &#38;amp; SUSTENANCE
	2019


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&#60;img width="2870" height="1620" width_o="2870" height_o="1620" data-src="https://freight.cargo.site/t/original/i/d1e54230b65629f7e1b3c556920400af4ac88e7ed9320574ed0aa37687605b99/Screen-Shot-2021-11-14-at-10.20.56-pm.png" data-mid="124486751" border="0"  src="https://freight.cargo.site/w/1000/i/d1e54230b65629f7e1b3c556920400af4ac88e7ed9320574ed0aa37687605b99/Screen-Shot-2021-11-14-at-10.20.56-pm.png" /&#62;
Cobie Kinnish and Molly Davies in ‘Substance &#38;amp; Sustenance’


	
	‼️&#38;nbsp;WATCH HERE
	


















The
thing you crave but can’t reach. The texture you can’t feel. The food you can’t
eat. The joke you’re not let in on. The dance you don’t know.



What
I have found most interesting about dance on film is the way the camera places
a barrier between the viewer and the subject, that is different to the fourth
wall used in live work. The camera acts as a frame that dictates in a more
specific way what we see; how much of the world behind the lens are we allowed
to see.Directed and Choreographed: Phaedra Brown

Dancers: Molly Davies and Cobie Kinnish







 







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	<item>
		<title>Animinimalis</title>
				
		<link>https://phaedrabrown.com.au/Animinimalis</link>

		<pubDate>Fri, 12 Nov 2021 06:13:39 +0000</pubDate>

		<dc:creator>phaedrabrown</dc:creator>

		<guid isPermaLink="true">https://phaedrabrown.com.au/Animinimalis</guid>

		<description>&#38;lt;- Home


	06 ANIMINIMALIS
	2018




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Dancers in performance and rehearsal of ‘Animinimalis’ Photos by Phaedra Brown


	‼️&#38;nbsp;WATCH HERE


	



















Peer in on fantastical beasts as they go about their business. You’re watching them and they’re watching you. What is the relationship between the human as an animal and creatures that are wild, mystical, free, captured, alienated?
Presented as part of Melbourne Fringe Festival 2018
Choreographed: Phaedra Brown

Danced: Anika De Ruyter, Jazmyn Carter, Jason Pearce, Gabriel Sinclair, Molly Davies, Tamara Bouman

Music: ‘Cemetary Polka’- Tom Waits (Rain Dogs, 1985)
‘The Butcher Bird’- Hans Zimmer, Jacob Shea &#38;amp; Jasha Klebe (Planet Earth II Original Television Soundtrack)
‘Clap Hands’- Tom Waits (Rain Dogs, 1985)
 








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